hearing voices

Lately I’ve been hearing voices.  Again.  Voices in my head.  But don’t get nervous.  The voices aren’t telling me to do bad things.  They’re just talking to themselves, or having conversations, and that’s absolutely a good thing.  If you write fiction, telling stories that need to be true but need not be factual, you want characters in those stories.  You want your characters to talk to each other, so they might as well talk in your head.  I draw the line at talking back to these characters, however, especially in public.

On March 7, at the RWA Aloha Chapter meeting, I will be leading a fiction writers workshop on voice. We will be looking at the writer’s voice, the narrator’s voice, and the character’s voice. How do they differ?  Do they ever overlap?  And how do you find your voice?  It’s probably not something you lost, but rather something you discover over time.  Years, in fact.

The workshop will include a special section on book design with graphic artist Stephanie Chang, who will talk about imagining your book and matching design with voice.  Stephanie and I have been working on the design for my contemporary romance Chasing Cowboys.

If you’re looking for a homework assignment, here’s one.  Imagine a  young man and a young woman seated at a table.  The man appears to be studying a menu. The woman doesn’t have a menu.  Is she talking?  What is she thinking?  There’s a lighted candle on the table, buildings in the background, and stars in the night sky.  A romantic setting.  So what’s missing?  We need voices! Make them talk.  You have the characters and the setting. Now write the scene.  Give them distinct voices.  Give each an agenda perhaps; decide what it is each one wants.  First date?  Last date? Is there trouble ahead, trouble behind?  

In addition to the dialogue, decide on a narrator for this scene.  You can  go with a third-person narrator, or you may choose one of the two characters to be a first-person narrator.  

Finally, try to give the scene these three things:  (1) a tantalizing beginning, in the voice of the narrator or one of the characters, perhaps introducing some conflict or tension;  (2) a middle in which the characters learn something or change in some way; and (3) a strong ending, a definite resolution.  Don’t leave your reader hanging!
 

When your scene is written, test it.  Read the scene aloud.  Try reading all the lines of one character, then go back and read all the lines of the other character.  This is your chance to fantasize about how the stage and screen lost a great actor the day you decided to become a writer instead.  “And the Oscar goes to ...” 

Then wake up and rewrite your scene. At some point in this process, listen to your own voice as you tell yourself that you are one creative genius.  Just make sure that nobody’s around when you start talking to yourself.

Ratatouille and the creative process

If you saw the Pixar animated film Ratatouille, about a rat who wants to be a chef in Paris, you’ve witnessed a shining example of creativity, one that filmmakers, cooks, and even writers can learn much from.  In particular, one of the bonus features on the DVD is a 13-minute behind-the-scenes documentary, “Fine Food & Film,” a conversation with director Brad Bird and chef Thomas Keller.  

Producer Brad Lewis, who worked with both men on Ratatouille, introduces the documentary by talking about the similarities between the acclaimed filmmaker and one of America’s great chefs:  “When you see these guys work you start to see a similar not only sparkle in their eye, and how they do what they do, but also they’re really intense, they’ve got this attention to detail, and they’re very passionate about their work.  So one’s about cooking, and one’s about making great movies, but there is this harmonic in their approach.”

As we see Keller at work in his restaurant kitchen, he begins by saying, “Anybody can cook.  It’s just you have to have the desire, the determination to make something that you’re going to feel proud to give to somebody, and that emotional connection with somebody.  I think you have to be emotionally attached to what you’re doing, and certainly, with food, it’s very easy because it’s something that nurtures.”  Bird the filmmaker seconds this appeal to emotion: “You’re constantly trying to get the audience into the state of feeling and how things feel, rather than how things are.”

On the origin of creative ideas, Bird says, “Every idea comes about in its own way.  I had an idea for a film that started with me hearing a song and thinking it was another song.”  Keller tells the story behind one of his imaginative dishes, Oysters and Pearls: “Walking down the aisle of a grocery store and seeing a purple box of pearl tapioca, and you see a word that says ‘pearls’ and you associate that with an oyster.  And then what comes from that is a dish .”

Bird says that he plays a game familiar to fiction writers, the what-if game: “Other things come out of just a thought that you have, of ‘What if?’  Or ‘Superheroes must feel defeated sometimes.’”  Keller begins with the food: “And the food can be so inspiring.  It comes in in its raw form.  You think, ‘Okay what am I going to do with this?’”

Brad Bird talks about the creative state of mind, which is another familiar topic for writers:  “The mistake that a lot of people make is thinking that you can force ideas to come.  You can’t really.  All that you can do is observe what kind of environment puts you in a creative state of mind and then try to create that environment.”

Bird and Keller both strive for spontaneity.  In talking about animation, Bird touches on a quality that writers strive for in their storytelling:  “It’s not a spontaneous act, but if you do it artfully, you get the feeling of spontaneous thought.  If you do it well, it will feel spontaneous.”

Filmmaker and chef both praise their mentors, and stress the importance of having a mentor as you are learning your craft.  Keller’s mentor was Roland Henin, a chef whom he met in the early ‘70s, in a private club in Rhode Island where Keller was working.  Keller says, “And he made me understand that there was an emotional connection, and that I was actually cooking for somebody in a way that brought them pleasure.”  Bird’s mentor was Milt Kahl, a great animator at Disney: “And he was tough.  He was tough.  He did it in a nice way, he wasn’t cruel to me, but he let me know absolutely where I was coming up short.”

At the end of the conversation, Bird touches on the question of audience, and the point that the first audience is the filmmaker:  “If you think about what you’re doing logically, you are trying to invent what an audience that you likely will never meet will enjoy two years from now.  But you can’t think of it that way.  You have to think about it in terms of, ‘What do I want to see?  What delights me?’  So I think that you’ve got to make something that pleases you and hope that other people feel the same way.”  

Good advice there for all artists, I believe, including writers.  When I write a story, I am the first reader, and I want to make myself smile, and laugh, and, at times, feel sad.  If I feel a tear on my cheek when I’m at the keyboard, I know I’ve made that emotional connection with the characters in the story.  The story is a new dish that I want others to taste.  I fuss over it and tweak the ingredients and think about presentation and then plate the dish.  I am like Remy, the ambitious young rat in Ratatouille, living to create something new and exciting.

this land is your land

On the eve of a watershed moment in our country's history, 24 hours before Barack Obama takes the oath of office, I awoke this morning thinking of Woody Guthrie.  

A young man from Okemah, Oklahoma, who had roamed and rambled through the country in the '30s with his guitar, Woody wrote a song in 1940 that's right up there with "America the Beautiful."  Pete Seeger and Bruce Springsteen sang Woody's song at the Lincoln Memorial yesterday. Close your eyes and imagine you're hearing the words for the first time.  Now imagine it's 1940 and it's Woody Guthrie's voice and guitar.  The song begins with its refrain:

This land is your land, this land is my land
From California, to the New York Island
From the redwood forest to the gulf stream waters
This land was made for you and me

Each verse answers an unspoken question.  Each verse takes us with Woody on his journey through America.

As I was walking a ribbon of highway
I saw above me and endless skyway
I saw below me a golden valley
This land was made for you and me

And then there's that voice that Woody sang about, a voice that appears in most of the verses:
I've roamed and rambled and I've followed my footsteps
To the sparkling sands of her diamond deserts
And all around me a voice was sounding
This land was made for you and me
The sun came shining as I was strolling
And the wheat fields waving and the dust clouds rolling
A voice was chanting as the fog was lifting
This land was made for you and me

Like "American the Beautiful," with its purple mountains and amber waves of grain, Woody's song gives us enduring images of our land. The "dust clouds" remind us that Woody traveled with the migrant workers who fled from the Dust Bowl of the '30s.  The last verse, however, is set in the city, amid the unemployment and doubt of the Great Depression:

In the square of the city - In the shadow of the steeple
Near the relief office - I see my people
And some are grumblin' and some are wonderin'
If this land's still made for you and me.

The song doesn't end there, however, because the last verse is followed by the great refrain, sung twice this time, or as many times as we like. We can just keep singing that refrain until our voices give out and we have to get some work done.  

This land is your land, this land is my land
From California, to the New York Island
From the redwood forest to the gulf stream waters
This land was made for you and me

I hear that in his speech tomorrow Barack is going to ask us all to get to work.  The song will still be there, of course, the day after tomorrow, and the day after that, and as long as we keep singing it, or hearing it in our heads.  And if the tune gets stuck there, well, there are a lot worse songs to be playing over and over.

Woody got it right.  "This land's still made for you and me."  I believe that America belongs to those who love it, to those who treasure its beauty, to those who roll up their sleeves and work to make it better.  

101 best sites for writers

Each year Writer's Digest publishes its list of 101 best sites for writers.  Did you miss the 2008 list? Not a problem.  You can read it, and follow all the links, on the Writer's Digest website.  Just google "101 best sites," which will also you give the bonus of a link to PC Magazine's list of best websites.

Looking for a comfortable New Year's resolution?  One that's productive, easy to keep, and does not require giving up any of those wonderful guilty pleasures that we love to indulge?  Resolve to visit one new site for writers each week.  Bookmark the ones you would visit again and put them in a favorites folder in your browser.  At the end of 2009  you will have 52 new sites.  Chances are you will find others on your own.  

If you're more ambitious, resolve to visit one new site for writers each day ... knock yourself out.  Or one a month ... this is not a competition, and it's your life.  

Speaking of guilty pleasures, here's a writing-related site that didn't make the Writer's Digest list (and another chance for me to use my favorite verb, "google").  Just google "HotForWords" and visit Marina Orlova's classroom.  Marina, an outrageously attractive Russian English teacher living in the United States, is one of the biggest hits on YouTube.  Her short video lessons on the origins of words are both entertaining and instructional.  At her site you can click on "Words/Lessons" to see a word list and watch the videos.  If all English teachers were like Marina, we would all have great vocabularies, or we would all be too distracted to learn anything.

I wish you all a creative 2009.  Keep writing!  And reading!

Caroline Kennedy and verbal tics

Caroline Kennedy, who would like to be the next Senator from New York, taking Hillary Clinton's place, has started talking more in public.  It comes with the territory, of course, and it's all part of getting to know the candidates before we vote, or, in this case, before the Governor appoints Hillary's replacement.

Talking in public--answering questions and not just reading from a script--is something that we wanted Sarah Palin to do when she became John McCain's startling choice for a running mate.  Sarah was kept under wraps for a while, but once she did begin talking without a script, oh my.  Some of us wanted to make her stop, and some of us (like my friend Richie, and Leno and Letterman and Tina Fey and all of us Saturday Night Live fans) wanted her never to stop talking. Those were heady times, as we learned more about how the Palin mind worked, and tried to imagine her as Vice President, a heartbeat away from being the first President Hockey Mom.  Scary?  You betcha!  I know that my heart raced faster during those strange autumn days.

So now it's Caroline Kennedy's turn to speak off-script, and you know what, well, let's just say, you know, that she seems like a good and noble person, someone with, you know, great genes, of course, but, you know, she has this verbal tic that, you know, peppers every sentence.  Aside from the endless "you-knows," she speaks well.  Her sentences don't trail off into silence mid-sentence, like an Alaskan dog sled that has lost its way in the frozen tundra.  Nor does she mangle the English language like a certain lame-duck President.  In fact, I think it's kind of refreshing, you know, to find that a Kennedy is like the rest of us, you know, and hasn't hired a speech coach to teach her how to control her verbal tic, to find some other phrase to use while forming her answer, or to use silence and pauses.

Even Barack Obama, the most accomplished speaker to be elected President since that actor Ronald Reagan, has his verbal tics.  "Well, look ...," Obama says, as he prepares to answer a question, and then we are treated to a brief silence, and we realize that he is actually thinking, that he is not about to repeat some vague generalization.  This is a man who taught constitutional law for ten years at the University of Chicago, who stood in front of a group of students who must have enjoyed watching his mind at work.

Obama I can listen to all day.  And Caroline Kennedy I want to hear more from, so she is totally forgiven in advance for a million "you-know's."  Sarah Palin can say "you betcha" and "golly" and all those colloquial expressions that are just more verbal tics and stalling while she waits for a correct answer, or any answer, to rear its head, like Putin coming into the air space over Alaska.  They're still showing reruns of the Beverly Hillbillies on cable, but strictly for entertainment I'd rather listen to Sarah.

Some verbal tics, however, make me scream.  My current pet peeve is "I mean."  Athletes love this one.  "How did you feel when you scored the winning touchdown?"  I cringe even before I hear it.   I know what's coming.  "I mean," the athlete begins, and then throws in a dozen more "I-mean's" before the interview is over, mercifully.  At those times I long for a commercial, any commercial to put me out of my misery.  Sometimes, If nobody's around, I yell at the TV screen.  "You mean?!  Don't start your answer with I-mean!  If you want to explain what you just said, then maybe you can say 'I mean.'"  It's good to vent.  I also find that my yelling drowns out most of the interview, so it serves a purpose.  

Lately I hear "I mean" as a verbal tic drifting into the answers of some college professors and writers on TV.  I mean, it's enough to make you want to, you know, just call up Sarah Palin and ask her if she ever, you know, got so mad at the folks on TV that she pulled out her rifle and shot up the screen.  In one of my recurring daydreams I actually do call Alaska, and Sarah answers her own phone, and I ask her about shooting up the TV, and she tells me, "Oh, you betcha!"

 

Christmas news from Wasilla

As I reported earlier, my friend Richie from up the street hasn’t gotten over his fascination with Sarah Palin.  Even with the November election fading in the rear view mirror.  It’s not that he agrees with everything she says, or even anything she says.  He just can’t stop obsessing, anymore than he could ever stop bringing beer over to my place and watching NFL football on the big screen. 

Just last Sunday I’m talking about Peyton Manning and the Colts, and how the amazing Peyton’s come back from his injuries to lead his team to the playoffs after a bumpy start, but I look over at Richie and he’s put his beer down and is gazing off into space. 

“I wonder what Sarah’s doing this weekend?” Richie says, as if he’s talking about a mutual friend that he hasn’t seen for a few days.

“What?” I say, my discourse on Peyton’s stellar season interrupted.  Then, to tease him, I say, “Sarah who?”

“Palin, you idiot,” Richie says, as if there’s only one Sarah in the world.  “She hasn’t been in the news for a few days.  I blame that crazy governor in Illinois, that’s all the news guys want to talk about.”

“Blagojevich,” I say.  “The guy’s name is Blagojevich.  And it’s big news.  He tried to sell Obama’s Senate seat to the highest bidder.  And his approval rating is lower than Bush’s, which isn’t easy.”

“Whatever,” Richie says.  “I wish he’d just go away.  Him and that hairy critter that lives on top of his head.  What a dork.”

“Say his name,” I tell him.  “I bet you can’t pronounce it.”

“I could if I wanted.  All I said was I wondered what Sarah’s doing.  Don’t start talking about Blaga-boy-zich.”

“Close enough,” I say.  “So what’s new with Palin?  You’re the expert on the subject.  Any news since she pardoned the turkey?”

“Oh, I almost forgot,” Richie says, and he fishes in his back jeans pocket and pulls out a folded sheet of paper.  He gives me a smug smile and hands me the paper.  “Read this.  You know that Internet friend I made in Wasilla?  I told you about him.  Sam McGee.  The mechanic.  He sent me their family Christmas newsletter.  It’s got all the news of the year.”

“All about Sarah Palin?”

“Well, some of it.  Just read it.”  Then he leans forward, gives me his serious look, and says slowly.  “If you’re going to understand a person … especially if they’re different … it helps to know where they come from.”  Then he sits back and adds, “Janine … that’s Sam’s wife … Janine wrote the newsletter.”

So I unfold the newsletter, admire the red and green Christmas border, and start reading.  Richie interrupts me with “Read it aloud,” so I do.  And here it is, the McGee Christmas newsletter.  Enjoy. 

Merry Christmas to all our friends and relatives, here in the Great Land and to all you poor suckers in the Lower 48.  (Just joking.)  It’s been a busy year for the McGee gang.  In case you didn’t hear, I went to Anchorage in June to update my beauty shop skills.  When I got back to Wasilla my regulars at the Magnificent Mousse were lining up.  Got me some new customers too, which made Wanda happy.

Sam’s business is going good, even with the recession.  Folks have to drive.  Sometimes on my lunch break I walk over to the garage and watch him work and hand him his tools.  It always reminds me of when we started seeing each other.  He’d be working on my Ford, and I’d hand him a tool, and then a can of Bud, and then another tool … so romantic.  Next thing I knew we were engaged.

Let’s see, what else is new?  Well, the twins are at Wasilla High School now.  Can you believe it???  It makes me feel old, but Sam always tells me I’m not getting older, I’m getting better.  Then he gives me a tuneup … I mean my truck (ha!) … and I make him a good dinner, and we end up renewing our nuptials.  I feel so lucky.

Oh yeah, the twins.  Well, Cord is on the Warrior JV football team, so we’re just as proud as we can be.  He’s keeping up his C average, so that’s good.  He has a girlfriend, but I promised him I wouldn’t put her in the newsletter, but she’s cute as a bug and if you know who I’m talking about I’m sure you’ll agree. 

Cora is likewise off to a good start in high school.  Her main goal is to make cheerleader, but we told her to concentrate on the books during her freshman year, which didn’t go over big but she understands, and we promised her we’d do everything to help her make cheerleader next year.  Well, not everything.  Not like that psycho cheerleader mom in Texas.  But we are practicing every night in the family room, after her homework’s done, and I’ve been passing on my own tips from the time I was head cheerleader at WHS.  Cora doesn’t have a boyfriend at the moment. Her dad is being very protective, if you know what I mean, but I just tell Cora to be patient and someday she’ll be head cheerleader and have a quality boyfriend, so she’s very hopeful.

I know that everybody is curious about Sarah Palin, because that was the big news in town this year, so I’ll just tell you some stuff here in the newsletter and please don’t ask me about her all the time.  Well, where to start?  She was the mayor here, of course, and there were folks who liked her (she did get elected) and folks who didn’t.  And then she made Governor but she still kept her home in Wasilla, and there were folks who liked her and folks who didn’t.  Then she ran for Vice President (oh my God, that was exciting), and there were folks who liked her and folks who didn’t.  Of course you see her around Wasilla.  She’s just folks.  Except that Sam and I don’t have bodyguards.  I don’t have her wardrobe.  Wanda used to do her hair, but that was before I started at the shop.  All Wanda says about Sarah’s hair is “there’s a lot to work with.” She has a rule that we don’t talk politics or religion in the shop.  But it is OK to talk about everybody’s hair.  And nails.

OK, I’m out of room here, so I’ll just wish you all a Happy New Year.  Hang in there in 2009 and we’ll all get through these hard times.  Remember, you’ve always got your family.  And the Good Lord will provide.

Love,
Janine

P.S. Sam says there’s a tuneup special on at the shop, to the end of December (for those of you who are in town).

 

I fold the newsletter and hand it back to Richie.  “Thanks for sharing,” I tell him.  He says “glad to do it.”  We go back to watching the game.  I’m hoping that there won’t be any news flash interruptions from Illinois.  Richie might explode.

 

 

 

 

Richie's big dilemma

My friend Richie from up the street came over on that Tuesday morning in November and we rode together to the place where we would finally, finally get to vote. Finally.

After the longest year of my life, following the Presidential campaigns on TV, watching about a thousand debates, listening to Obama and Hillary and McCain and all those other guys, not to mention all the TV commentators who sometimes told us something we didn’t know but mostly just argued with each other. Richie would watch the arguments and hope for a fight to break out, maybe a few chairs being thrown around, and he said that Keith Olbermann could take Pat Buchanan out in about 30 seconds, but it was only arguing, and no chairs ever got thrown.

Whenever a debate was on, Richie would show up at my door, bringing a cold six pack and a newly acquired passion for politics. I never heard everything they said in the debates because Richie would be talking about promoting celebrity fights between the candidates. He would wonder out loud what would happen if you put, say, Hillary and Barack in the same ring, or maybe in one of those cages, and no rules. I’d tell Richie that Barack was younger and more athletic, and Richie would insist it wouldn’t be a basketball game, that Hillary would be tougher and would bite and claw, and then I’d point out that Barack was quicker and had a longer reach, and Richie would say that Hillary would have pointed shoes and would know how to use them, and then I’d give up and start listening to the debate again, and Kucinich would be talking about UFOs, and then Richie would ask me who I thought would win if they put Kucinich in the ring with an alien. And so on.

Then at the end of August that McCain guy surprised us all by naming a woman as his running mate. And not just any woman. We heard her name, Sarah Palin. Then we saw her photo (Richie studied the photo, then sat back and said "Desperate Housewives"). Then we began to learn things about her, like she was a runner-up for the Miss Alaska beauty queen, and mayor from a small town we’d never heard of. And then we heard her speak. We heard that voice, for the first time. She was folksy, all right, talkin’ county and droppin’ those g’s left and right. I looked over at Richie and his jaw had dropped and his eyes were big and I asked him if he was all right and he didn’t say anything. I think what he was was hypnotized.

So all through September and October, as the general election got closer and the campaign more heated, Richie focused on Sarah Palin. He read everything he could about her. He showed me her photos as a high school basketball player, and beauty contestant, and hunter. He showed me the fake photo from the Internet, with Sarah Palin’s head on the body of a well endowed woman in a bikini. I think he carried that one around in his wallet.

Richie stopped talking about celebrity fights. We agreed early on that Obama would take out McCain, in the ring or in an election. In fact, we were both big fans of the tall skinny guy from Hawaii with the funny name and the great jump shot. Richie and I, and I think all of our friends, were backing Obama. We had stood in line for over an hour in the spring to vote for him in the Democratic caucus. Richie had even looked up the word “caucus” and told me “It turns out it has nothing to do with the word ‘circus’ after all.” But when we finally got into the caucus room at Jefferson Elementary to vote for Obama, they had run out of ballots and we had to write on blank sheets of paper, once we found out which table was ours, and it was crowded and noisy and exciting and, now that I think of it, a caucus actually is like a circus.

All that was B.S., of course. Before Sarah. Before Richie got obsessed with the woman and Tina Fey started playing her on Saturday Night Live and cracking us up. Before the interviews, and Sarah telling us how she could see Russia from her house and how Putin rears his head and comes into the air space, and Richie saying they must be looking at each other a lot, and I thought he seemed just a bit jealous when he said it.

So anyway, November 4 finally arrived, and Richie drove the mile to Sacred Hearts, where we always vote, and we parked next to the Kaimuki Longs, which is right across the street, and soon we were in the voting booths, filling in the little boxes next to the ones we liked. The ballot was pretty short and it took me about three minutes to vote. Then I fed my ballot into the machine and looked around for Richie. I spotted his slippers and skinny legs beneath the half curtain of one of the voting booths. He was shifting his weight from one leg to the other. I moved closer, and that’s when I heard the noises from his booth. “Hmmmm.” “Arggggggggg.” Then I thought I heard “Shit!”

“Hey, Richie,” I said, “are you all right in there?” The only response I got was “Double shit!” That was a new one anyway. “Richie, you okay?” I said, this time louder. No answer. Finally I looked around, ready to explain that my friend needed help, in case anyone wondered, but nobody did, so I pulled the little curtain aside and squeezed into the booth with Richie.

“This sucks, man,” Richie said.

“What sucks? Having trouble with the constitutional amendments or board of education?” We were both kind of whispering.

“No, man,” Richie said, “I’m still on the President. I’m stuck, man.”

“What do you mean? Gotta be Obama, right?”

“Well yeah, Obama, sure. Obama, absolutely. But they don’t let you vote for a different Vice President. It’s gotta be that Biden guy if I vote for Obama. It’s like they’re joined at the hip or something.”

“Biden’s okay,” I said.

“But he’s not …” Richie’s whisper trailed off. Then it hit me. I’m slow sometimes, but eventually I catch on.

“He’s not Sarah,” I said.

“Damn straight,” Richie said. “And if Sarah doesn’t win, she’ll go back to Alaska and we’ll never see her again. She’ll be out of my life. I mean our lives.”

I put a hand on Richie’s shoulder. “It’s okay, dude,” I said. Richie likes to be called “dude.” “You know, dude, you’ll see her again. She’ll be around. I bet once this thing is over she’ll be on her own and twice as …” I searched for the right adjective.

“Twice as special,” Richie said.

“Sure,” I said. “Special” was not the word I was looking for, but if it helped me talk Richie down it would do.

Just then Richie poked his head out of the booth and called to one of the workers for help. The woman patiently explained to him that no, he couldn’t split his vote, that the running mates were tied together, and Richie said “joined at the hip,” and the woman laughed and said “now you’re catching on,” and Richie thanked her and turned back to his ballot.

He let out a big sigh, and slowly filled in the little box next to Obama and Biden. Then he said, “Let’s go, I don’t want to vote for the other stuff.” He fed in his ballot, and then, as we walked to the car, I patted him on the back and reassured him that we hadn’t seen the last of Sarah Palin. Richie asked me if I thought she would keep talking and be on TV, and I told him I didn’t think anyone could stop her. And Saturday Night Live would be grateful.

“Maybe one of those reality shows,” Richie said. “Or a talk show of her own.” We climbed into his car and, before he started the engine, Richie turned to me and said, “Who do you think could stop her from talking? Maybe Hillary? Now that would be a fight. Maybe in a cage. People would pay thousands of dollars for a ticket. And we could watch it on your big screen TV. I’ll bring the beer.”

By the time we pulled into my driveway Richie’s mood had brightened considerably. He was ready to watch the election results from the mainland. Ready to cheer for Obama. Knowing now that he could have it both ways. Barack and Sarah on the big screen TV, tonight and beyond. Richie reached into his pocket for his lucky bottle opener. Life was good again.